the wounded heart
You write the bad guys. I write the good guys—or at least the well-meaning messes with a heart of gold and a talent for poor decisions.
I’ve got two Jedi in dire need of a recurring nemesis. Someone dramatic. Someone committed. Someone who isn’t afraid to build a little trauma, sprinkle in some heartbreak, and craft a slow-burn rivalry that leaves everyone emotionally unwell (in the best way). Wins, losses, character growth, breakdowns—we’ll make it beautiful.
If that sounds like your idea of fun—if you’re looking to stir the pot, burn the soup, and then serve it anyway with a smug grin—hit me with a ‘what’s up.’
Your future victims, should you choose to accept them:
Let’s get villainous.
I’ve got two Jedi in dire need of a recurring nemesis. Someone dramatic. Someone committed. Someone who isn’t afraid to build a little trauma, sprinkle in some heartbreak, and craft a slow-burn rivalry that leaves everyone emotionally unwell (in the best way). Wins, losses, character growth, breakdowns—we’ll make it beautiful.
If that sounds like your idea of fun—if you’re looking to stir the pot, burn the soup, and then serve it anyway with a smug grin—hit me with a ‘what’s up.’
Your future victims, should you choose to accept them:
Let’s get villainous.