Yasha Cadera
Mom'alor
Atrisia's the sort of place I take in doses. Short doses. But why, Anders Sivas, do you take Atrisia in short doses? Well, holorecorder I'm dictating into it's simple: No one on Atrisia says what they think. The amount of suppressed and sutured emotions splay across the cloud line like thick, winter rain and no one walks around with an umbrella. It's all calm nods and practiced poise and after a few hours on the surface of this world the headache starts.
Repressed emotions tend to be strong emotions, like unrealistic anger bursting in the mind of an upset adult child, whose mother doesn't see the age of her kid's face. Like you want to grab a pipe wrench and beat the walls until the paper shreds and the wood turns to tinder. Like just looking at the man you want to know better is a sin punishable by public shunning. All of these thoughts rush my brain and shutting them out is a lesson in the dimmer switch. No channel to change to is better. I skipped out of the daily foot traffic on Atrisia's main city's rebuilt main drag and head down an alleyway to a narrow passage under a building built over the street. My leather jacket seems huge and drafty as I zip it up and walk faster - away. Just away. The tea house is in a clearing the size of a six speeder parking lot, synth-turf laid atop duracrete and a knotch-and-slat house kneels atop the synth-turf. A plaque on the side of the hut tells the story of a historical tea house which once had filled the entire area with its' quiet, meditative customs. Now all I hear is a trapped wind caught in the hurriedly replaced architecture and as I step to the tiny tea house I leave my boots at the door and kneel on in. A bow, a nodded head and I'm seated on a pillow as the master of the tea house sends his house girl to retrieve boiled water from the back.
House girl... no, daughter. Family business I'd reckon by the internal haemorrhage of her stilted dreams. It's not all bad. Thank the goddesses. There are two more spots on the mats before the tea master's spot, the tea is all laid out and I take a deep, deep breath. Clear my head, meet . . . whoever it is I'm supposed to meet and onward to the Archives further into the city.
I've got secrets to steal.
[member="Brom Burnside"]
Repressed emotions tend to be strong emotions, like unrealistic anger bursting in the mind of an upset adult child, whose mother doesn't see the age of her kid's face. Like you want to grab a pipe wrench and beat the walls until the paper shreds and the wood turns to tinder. Like just looking at the man you want to know better is a sin punishable by public shunning. All of these thoughts rush my brain and shutting them out is a lesson in the dimmer switch. No channel to change to is better. I skipped out of the daily foot traffic on Atrisia's main city's rebuilt main drag and head down an alleyway to a narrow passage under a building built over the street. My leather jacket seems huge and drafty as I zip it up and walk faster - away. Just away. The tea house is in a clearing the size of a six speeder parking lot, synth-turf laid atop duracrete and a knotch-and-slat house kneels atop the synth-turf. A plaque on the side of the hut tells the story of a historical tea house which once had filled the entire area with its' quiet, meditative customs. Now all I hear is a trapped wind caught in the hurriedly replaced architecture and as I step to the tiny tea house I leave my boots at the door and kneel on in. A bow, a nodded head and I'm seated on a pillow as the master of the tea house sends his house girl to retrieve boiled water from the back.
House girl... no, daughter. Family business I'd reckon by the internal haemorrhage of her stilted dreams. It's not all bad. Thank the goddesses. There are two more spots on the mats before the tea master's spot, the tea is all laid out and I take a deep, deep breath. Clear my head, meet . . . whoever it is I'm supposed to meet and onward to the Archives further into the city.
I've got secrets to steal.
[member="Brom Burnside"]