Xera'ul, Athiss
Sith art gallery of
Avernus
Darth Quercus, or rather their mechno-chair, strode up to the door of the gallery with dignity that suited the moment. A slack-jawed, blank-eyed Zabrak Sith followed after, but that couldn't be helped: Quercus needed an instrument around, and the gallery's owner probably wouldn't want to donate a servant or patron to fill that niche.
One pointed leg of the mechno-chair tapped the accessible door control. The door hissed open, and Quercus swept in, all one point three metres of them: a brilliant indigo Dromund Kaas dart flower/Murakami orchid hybrid, potted in the Fair Widow's Vase and perched delicately on the mechno-chair without apparent supports.
Through the instrument's eyes, Quercus began examining the selection of art on display.
Sith art gallery of

The largest and most populace city on Athiss, Xera'Ul is constructed within the tallest mountain on Athiss itself. The structures of the city, if they can be called that, are carved into the solid rock of the mountain itself. Deep beneath the earth, partitioned and divided out through the eons, Xera'ul holds to the same architecture as the ancient ruins on Korriban and Ziost. There is a distinct Pureblood touch to the city itself. Every building is carved to perfection, huge statues line the streets, and odd sort of gloom hangs over everything even during the height of the day...Due to its location beneath the thick mountain earth Xera'Ul receives no direct Sunlight. Instead the city is awash with synthetic light created by long dead mystics. A single grand orb of red hangs at the pinnacle of the city itself, creating an odd hued illumination throughout the streets that matches the crimson skin of most of its residence.
Darth Quercus, or rather their mechno-chair, strode up to the door of the gallery with dignity that suited the moment. A slack-jawed, blank-eyed Zabrak Sith followed after, but that couldn't be helped: Quercus needed an instrument around, and the gallery's owner probably wouldn't want to donate a servant or patron to fill that niche.
One pointed leg of the mechno-chair tapped the accessible door control. The door hissed open, and Quercus swept in, all one point three metres of them: a brilliant indigo Dromund Kaas dart flower/Murakami orchid hybrid, potted in the Fair Widow's Vase and perched delicately on the mechno-chair without apparent supports.
Through the instrument's eyes, Quercus began examining the selection of art on display.