Galdaart
Member
Sate Sorenn was several hours into his tenure at the "Monk's Fist," which in no way, shape or form could be considered the best cantina on 'Shaddaa. In fact, it might well have been nearly the worst. But quality of clientele had little to do with his presence here. Proximity to where the commercial freighter he had paid for passage aboard had touched down, did. His throat desired whiskey, and this place (as long as one didn't care about the cleanliness of the glasses) could slake his thirst. Three weeks aboard a dry freighter was too long without a drink, even for the Dustie.
This is how it came to be that Sate Sorenn had four empty tumblers in front of him, as the bar began to fill up. Even though he had good reason to be on the Smugglers' Moon, he wasn't so conceited to believe he would find a solution to his troubles on his first night on the Moon. Even as lubricated as he was, he knew his luck wasn't that good.
Still, no harm in hanging out his shingle. He had been in just such a position many times before, and he knew of no better way to attract a like mind and a level head. Approaching the barkeep, an extra 50 credits pressed into the Gran's hand, and a few words in his ear saw a small nod in affirmation, and Sate began to move slowly through the gathering crowd, toward the small, 8X10 platform at the front of the bar which served triple-duty: dancer / stripper stage (as evidenced by the greased pole at its centre,) impromptu town crier / soapbox (as evidenced by the broken glass and marred walls behind,) and occasionally, as performance space. To the side of the stage, looking worse for wear, sat an ancient instrument. Sate blew the dust off, and noted it was missing a string. Nothing to be done about that. Producing a thin tube of unremarkable, dense ore, Sate placed it on his third finger and sat of the edge of the stage, narrowly missing a pool of something nobody would want to sit in. He played at tuning the instrument for a few minutes, before breaking into an easy blues. After the first tune, he fished a contraption out of a pocket, and connected it to the instrument's jack. This allowed him to broadcast short-range, directly to passerby via their broadband comm units, which 90% of folks carried nowadays.
If they didn't want to listen, they could just as easily tune out or turn off. But enough would allow the tune to play that it would permeate the bar, and out onto the street, just in the background. After the next number, he leaned down, close to the instrument's pickup, and spoke plainly into the microphonic piezo:
Looking for a pilot. If you think you're flyin' the right bird, come find me. Whiskey optional.
And then he launched into another song. Maybe people were listening, maybe not. Didn't really matter. He was doing it mostly to amuse himself. Maybe he got a lift out of the deal, maybe someone bought him a round. Win-win, really.
'long as they didn't start throwing bottles.
This is how it came to be that Sate Sorenn had four empty tumblers in front of him, as the bar began to fill up. Even though he had good reason to be on the Smugglers' Moon, he wasn't so conceited to believe he would find a solution to his troubles on his first night on the Moon. Even as lubricated as he was, he knew his luck wasn't that good.
Still, no harm in hanging out his shingle. He had been in just such a position many times before, and he knew of no better way to attract a like mind and a level head. Approaching the barkeep, an extra 50 credits pressed into the Gran's hand, and a few words in his ear saw a small nod in affirmation, and Sate began to move slowly through the gathering crowd, toward the small, 8X10 platform at the front of the bar which served triple-duty: dancer / stripper stage (as evidenced by the greased pole at its centre,) impromptu town crier / soapbox (as evidenced by the broken glass and marred walls behind,) and occasionally, as performance space. To the side of the stage, looking worse for wear, sat an ancient instrument. Sate blew the dust off, and noted it was missing a string. Nothing to be done about that. Producing a thin tube of unremarkable, dense ore, Sate placed it on his third finger and sat of the edge of the stage, narrowly missing a pool of something nobody would want to sit in. He played at tuning the instrument for a few minutes, before breaking into an easy blues. After the first tune, he fished a contraption out of a pocket, and connected it to the instrument's jack. This allowed him to broadcast short-range, directly to passerby via their broadband comm units, which 90% of folks carried nowadays.
If they didn't want to listen, they could just as easily tune out or turn off. But enough would allow the tune to play that it would permeate the bar, and out onto the street, just in the background. After the next number, he leaned down, close to the instrument's pickup, and spoke plainly into the microphonic piezo:
Looking for a pilot. If you think you're flyin' the right bird, come find me. Whiskey optional.
And then he launched into another song. Maybe people were listening, maybe not. Didn't really matter. He was doing it mostly to amuse himself. Maybe he got a lift out of the deal, maybe someone bought him a round. Win-win, really.
'long as they didn't start throwing bottles.