Silver Whisper
In one gallery, of black floor and ceiling, flanked by white walls like blank canvas, were draped the paintings of the abstract. They began in uniform, reflecting particular artists at the entrance of the hallway, before they gave way to a denizen of different ones.
From illustrations of flowers to depictions of gardens, images of clothing to representations of civilizations. Abstract art, as far as could be defined, was showcased in lines, shapes, colors, forms, marks. It did not rely on actual visual reality. But in the fabrics of time and space woven within.
One woman thought, anyway, as she gazed over one exhibit after the other, pacing in dress of black violet. She walked, calmly, but did not pause for too long. She moved with the music; a piano as elegant as a poet amid slow, feathery strokes echoing in serenity, spoken in solace.
Gentle, tranquil. If so manipulative. Music like this is what you would expect to find in a shopping mall; the kind that got you to stop and gawk before moving on. Yet this was one woman who found her own pace and place within this maze.
She turned the corner of the hallway to discover pieces reminiscent of splashes, of spots and dots, of scatters and splatters. She paused. What’s this, then? She lifted the rim of her glass to her lips, sipped red wine, and listened with her eyes.
The image in the exhibit depicted red, orange, yellow marks on the upper left corner, and black grey shades on the bottom right. What do I spy? She might only imagine. There, standing on her own, so close to this painting if so distant, Senestra Sylverian saw the name of the exhibit—Embers of the Universe—and wondered.
"Am I the ember..?" She whispered. "Or the ash in the darkness..?"
