Malice
The Thrash Pit wasn't exactly Denon's premier venue, but few other establishments were so willing to have the roof figuratively torn off them by an untamed Heavy Isotope group. Not as if the concern could be literal anyway, given that The Thrash Pit's concert area was entirely outdoor. Nor were many willing to host an ensemble for such a dated genre, anyway. The 'All Jedi' schtick that SWORD OF THE JEDI boasted as a band somehow didn't do them as many favors as they'd hoped it would. Distorted chords, hammering percussion, and aggressive synth lines, and harsh wailing heralded inflammatory lyrics all coming together into one, angry and abrasive symphony of fringe refrain.
" SITH RUN WHEN I COME UNDONE
CAN'T KILL ME I'M ZERO AND ONE
ADD JUSTICE TO THE PEOPLE'S MATH
BLAZE MY WAY DOWN THE JEDI PATH! "
Every verse belted from the folds in the depths of Zaavik's throat. Grating vocal technique obscuring lyrics with a raspy, sickly howling. A jarring contrast to
CAN'T KILL ME I'M ZERO AND ONE
ADD JUSTICE TO THE PEOPLE'S MATH
BLAZE MY WAY DOWN THE JEDI PATH! "




Corp-owned police and security forces had been deployed hours earlier, surrounding the concert with passive surveillance. The official reason given was riot deterrence, but it had more likely been an intimidation play. You didn't just go to Denon and spend an entire performance defaming megacorporations without pissing someone off. That was always somewhat the intention behind the whole thing, but even more so on Denon.
In fact, Zaavik had set the gig up himself. Unbeknownst to his bandmates, a scheme had been machinated in the background. Their hell-raising at The Thrash Pit had been a to take possible eyes from a far more clandestine operation. The specifics of which, Zaavik had spent weeks arduously crafting, every detail down to the footfalls had been mapped out in superfluous detail. While the band drew eyes, a group of hired Edgerunners would slip into corporate infrastructure and nab a datacore.

Zaavik informed his bandmates that he intended to hang back, 'check out the district', or some other haphazard excuse. He slipped away into a backstage room, a personal room reserved for performers. Guitar slung over his shoulder fell carelessly onto the sofa as he passed by to the dressing table at the opposite end. An out of place durasteel box no bigger than a foot in any dimension sat by its lonesome in front of the mirror. A hand came forward, twisting the release at the top and removing the lid. A grin crept across his face as he pulled the datacore from the receptacle, rotating it in his fingers.
Time to make those lyrics more than big talk from a bunch of disgruntled rockers.
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