the outfit—one saved for singular purposes.
Lace, black and liquid in the light. Slashes of sheer against leather accents. Intricate mesh running across her ribs, baring just enough to inspire
imagination but never surrendering all. Her heels were impossibly high. Her wrists were ringed with silver cuffs. A choker like a whispered warning, curled around her neck.
She applied lipstick with the precision of an assassin, the color a scandalous bloodwine hue. A curl of dark hair fell across one eye as she smirked into her reflection.
ANNOUNCER (V.O.)
"
Nar Shaddaa. Criminals. Saints. Strays. Tonight, you don't watch a performance. You witness a reign."
A roar of gold light swept across the velvet curtain.
ANNOUNCER (V.O., CONT'D)
"
She's the reason the moon turns. The queen of your sins. The goddess of your nights. Give your hearts—if they're still beating—for Sommer Dai."
The crowd screamed.
From the darkness,
Sommer emerged, wrapped in lace and dripping with poise. She didn't just walk—she
glided, stepping onto the stage with the calm confidence of a woman who had just ordered a nobleman disposed of like yesterday's wine.
She reached the pole center stage, grasped it with one gloved hand, and pulled herself into a soaring arc.
And then she
flew—spinning, curving, bending physics to her will. Every twist of her body was fire and storm and starlight. The dancers behind her tried to keep up, but Sommer was a black hole at the center of it all, swallowing the room whole with raw, sensuous gravity.
The audience didn't cheer. They
worshipped.
And somewhere, far away, Duke Verlo's body disappeared into the underbelly of the moon—unseen, unknown?,
irrelevant?
The room is silent but for the slow pulse of bass, steady as a heartbeat. Lights strobe and swirl in sensual hues—burnt crimson, violet silk, and molten gold—casting long shadows that slither along the stage like hungry spirits.
And there, at the very center,
Sommer is gravity incarnate. She moves not
to the music, but
within it, sculpting each note with her body.
She circles the pole slowly at first, like a panther drawing its prey into her orbit. One hand—gloved in black lace—trails lightly along the chrome, her fingertips barely touching, as though the metal itself might ignite from too sudden a spark.
Then her hips shift.
One smooth sway. Then another.
Her movements are molten, hips undulating in hypnotic rhythm, spine loose as liquid, her gaze locked on the crowd like a whispered dare. With a single, elegant pivot, she arches her back and raises one leg, wrapping it around the pole with intimate precision.
She climbs.
Not as a performer—not as a dancer—but as a
lover reacquainting herself with a trusted partner. Each movement deliberate. Intimate. Reverent. The strength in her limbs hidden beneath silk and seduction.
At the top of the pole, she lingers—upside-down now, legs locked tight in an inverted crucifixion. Her long hair cascades toward the stage like a waterfall of ink. She
smiles, eyes half-lidded, lips parted in a breathless promise. And then she releases—
A slow, delicious descent.
Her thighs grip the pole with crushing grace, skin and chrome sliding together in a dance older than war. Her arms stretch out as she descends in a spiral, body arched, one hand grazing the pole, the other drawing a path along her own hip as if mapping constellations across her skin.
She lands in a kneel. Slow. Worshipful.
Then—without pause—
rises like a flame. In one smooth motion, she throws herself into a spin, legs extended into a flying split that cuts through the air like the sweep of a scythe. The pole is her axis. Her temple. Her lover. And she—its devoted priestess.
The rhythm changes.
The bass picks up. She bends back into a backbend, using only her toes to pivot as her hands clutch the pole behind her. Every angle of her body becomes a curve, a suggestion, an invitation. Sweat beads along the lines of her neck, caught in the stage lights like diamonds on velvet.
Then, with the crowd at the edge of frenzy,
she climbs again.
Faster this time. Desperate. Needy.
Like the pole is pulling her in, and she is powerless to resist. Legs scissor, body twirls—
aerial,
graceful,
lethal. Her silhouette blurs into motion. A storm of lace, skin, and divine arrogance.
She drops once more—catching herself only inches from the floor with the kind of strength that doesn't look like strength at all. Her body slides down into a deep squat, knees apart, chest lifted, breath heaving.
She opens her eyes.
And
the club erupts.
Men and women alike lean forward, paralyzed. Worshipful. Shattered. Sommer's expression is a pantomime of afterglow—cheeks flushed, lips parted, sweat glistening between her collarbones. She brushes her fingertips up the pole, presses her cheek to it tenderly, then kisses the chrome with scandalous intimacy.
SOMMER (softly, into the mic)
"
I missed you too, baby."
And with that, she pivots, struts off the stage on heels that sound like gunfire, lace swaying like flags after battle. Behind her, the pole glints in the light—lonely again.
But only for a moment.
Because Sommer had reminded everyone in the room, and everyone watching through the feeds, of one thing:
She is the Queen.
Of rhythm. Of the stage.
Of the pole.