Master of the Spiral Way


The sabers sang as they turned, not in collision but in chorus — four violet arcs orbiting in patterns that did not deflect so much as reshape. The feint came, elegant in its deception, sliding under and inward, a quiet question posed not to flesh, but to form.
Issar did not parry. He breathed.
The coils of his lower body shifted with unhurried grace, and one arm — the lowest — lowered not in defense, but in permission. The saber swept just past the line Razh had offered, grazing emptiness. The other sabers rotated above like celestial bodies, tracing mirrored spirals that neither opposed nor conceded.
What Razh sought to test, Issar allowed to pass. He moved with the Force, not against the strike, nor even around it, but with it. Letting it shape the next moment. Letting it curve. Razh's saber flicked inward. Issar's forward-most hand dipped past the angle, following the flow naturally. The spiral closed, then opened again, and a second hand — slower — drew a mirrored arc beside the first, as if painting circles into mist.
Still, he said nothing.
The blue blade met not flesh, not blade, but breath and air and intention.
Then came the shift — quiet, decisive.
Issar's upper sabers descended. A pair of arcs flowed wide, framing Razh's exposed inside line — not striking, but revealing it. A gesture of completeness. Of return. One question, answered not with a clash, but with completion.
Finally, as the spiral resolved and both sabers slowed in their orbit, Issar tilted his head — slightly, just enough to acknowledge the duel's new rhythm. A moment of silent understanding shared through motion alone.