Star Wars Roleplay: Chaos

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Faction The Chronicles of Fate Foretold [JO]


Dantooine
Tags: Braze Braze , Beltor "Bell" Cyrus Beltor "Bell" Cyrus

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NK-Witell-class Freighter, 0A-155, Songbird (lightsaber), Vibrosword
She had me on a freighter heading coreward, the stories were...children's tales, really, of the old Jedi and Sith, of the Mandolorian wars, it's why I know that statue out front is of Revan, I had a cheap paper copy of his mask growing up based off her description

Mandalorian wars...

Kalrath had followed Revan into battle in that time long past. That was what ultimately caused the rift between him and that Kai'el man. The one who's lineage seemed to have taken Braze in. She only knew the scant details that the ancient Sith ranted about in lapses of awareness. She knew about as much about that era as the next person...

But to hear that such a thing was now a simple bedtime story? She clearly wasn't aware of what regular people talked about at all.


"Interesting..." she muttered to herself, perhaps in a bit of a daze.

She couldn't help but wonder about what could have been...


 
Beltor "Bell" Cyrus, PHD

Danoonie

Braze Braze 0-7 0-7

At the mention of those stories, his face fell, if only for a moment. "I...do not often dwell on those moments. I like to keep them close. I can read the historical accounts I have, but those stories are special to me...you'll have to forgive me if I am hesitant to recount them the way my mother did."

Bell did not easily hide his emotions, he actually tended to wear them on his sleeve, and it wouldn't take a Jedi to read the sadness in his voice. It lasted only a few moments how ever, and the cheeriness returned to his voice as he held the saber up in his hand, then slipped in to his belt. "So...how does this work? This training I mean. I understand how it's supposed to go in the normal ways, but something tells me this isn't the normal way the Jedi typically recruit people."
 


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The empath perked up at that odd, aching pang…

"It takes a lot of discipline," Braze offered. "We can start slow, if you wish to become an initiate. Should you pass the initiate trials, I can teach you as a Padawan."

His voice remained gentle as he then spoke of the initiate trials,

"There are only three trials you need to worry about. That is all I ask of any student I teach… Test of Mind: Recite and understand the Code. Test of Discipline: Construct a lightsaber… or practice control. Test of Spirit: Confront one's own heart; the inner trial of emotion, identity, and connection to the Force."

 
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"It takes a lot of discipline," Braze offered. "We can start slow, if you wish to become an initiate. Should you pass the initiate trials, I can teach you as a Padawan."

"I won't be participating," Seven added, just to be sure she clarified her stance once more.

That was the path for others to walk. It was not her own. She would be on good standings with the Jedi, especially since she had little other options to socialize with. She was, if anything, lacking people to interact with.

And she needed to make good on the debt she owed still being alive.


"But I... will remain for conversation."

 
Beltor "Bell" Cyrus, PHD

Braze Braze 0-7 0-7

Dantooine

He tilted his head. "There is no Emotion, there is peace. There is no Ignorance, there is knowledge. There is no passion, there is serenity. There is no Chaos, there is harmony. There is no Death, there is the Force." He took a moment, tapping his chin. "That's the version I'm most familiar with, and I will admit even before all of this." He motioned to the three of them and the various jedi relics around then, and ending with his saber. "I found the philosophy of it fascinating. Even with out a connection to the force it's tenants are valid ones to live by, for most folk."

"Very well, I'll take you up on that offer then, Braze. I had cleared my calendar clear for this long before, and I can say it's more then a good reason to stay. I...don't know where this will lead, but I know better then to let this pass me by." There was a hint more confidence in his voice, and a brighter note in his tone.
 


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"Huh… very good," Braze chirped softly, a pleased note tucked into his voice before he looked toward 0-7 0-7 . "If you're going to stick around, would you mind assisting me with cooking dinner?" he asked gently.

Then his attention shifted back, jade eyes bright with curiosity. "And as for you… perhaps you can try your hand at one of the vaults. Come with me. These can wait until later… I'd love to see how well you do."

With that, Braze turned and led him toward one of the vaults, his steps light with the promise of a lesson waiting behind sealed doors.
 
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  • //Pick a tab to Enter the Vault and follow the instructions given





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    Vault I: The Unmasked Self






    This vault was built for that which would be known beneath title, burden, and praise:

    When the old Names fall away… who remains to answer?



    Writer Guidance

    Approach the vault as your character, not as a puzzle to be solved. Choose the path, response, or action that feels most true to who they are, what they fear, and what they cling to.

    There is no single correct route through the trial. Some choices may reveal, unsettle, delay, or deepen the path ahead, but each is meant to uncover something meaningful about the entrant.

    Write the choices sincerely. Let hesitation, pride, grief, faith, denial, or clarity shape the way forward. The vault is less concerned with perfection than with truth.






    The Threshold of Names




    Beyond the vault doors, a narrow stone passage receives the entrant in silence. The air is still; each step taken fades slowly, as though the chamber listens for more than sound. Along the walls, words appear one by one, pale against the dark stone: titles, accusations, honors, and burdens, some earned, whilst others were imposed or had never been true at all.

    Each lingers long enough to be seen… long enough to be felt. One may strike like an old wound, while another settles with the weight of something once cherished.



    Writer Guidance

    Have your character react to the Names that appear before them. Let them be Names drawn from the past, the ones that still linger, still trouble the mind, or return in quiet moments unbidden. Which do they accept, reject, question, resent, or cling to? What rises within them as those Names are set before them again?

    Let your character answer this moment in full, then continue onward.






    The Mirror Walk




    Beyond the threshold waits a chamber of polished stone and still water. No reflection offers quite the same figure. Each reveals a different self that might have been claimed: conqueror, exile, saint, ruin, guardian, tyrant, hollow thing, martyr, judge, weapon, wanderer, penitent, fallen.

    The danger lies in the reflection the entrant cannot bear to turn away from.



    Reflections

    Still water gathers the light; polished stone returns what the soul dares to imagine.



    Writer Guidance

    Here, the chamber offers not simple reflections, but possible futures… selves drawn to their furthest shape. In each, your character beholds a paragon of some path they might embrace, resist, or become.

    Choose one or more reflections that seize your character's gaze, and explore what in them calls, wounds, tempts, or warns.

    Let your character answer this moment in full, then continue onward.






    • Saint

      This reflection appears serene, radiant with sacrifice, discipline, and the quiet allure of moral purity.



      Writer Guidance

      How does your character respond to the image of perfect virtue? Do they reach toward it, distrust it, resent it, or grieve the distance between who they are and who they feel they ought to be?




    • Guardian

      This reflection stands watchful and burdened, shaped by Duty, care, and the quiet cost of placing others before the self.



      Writer Guidance

      What in your character answers the call to protect, preserve, or endure for the sake of others? Is this reflection a comfort, a burden, an identity they cherish, or one they no longer know how to carry?




    • Martyr

      This reflection glows with the solemn grace of one who has given and given until nothing remains unoffered. Its stillness carries the beauty and danger of a self made holy through erasure.



      Writer Guidance

      What in your character is tempted by sacrifice carried to its furthest end? Do they see nobility here, warning, longing, or a grief they have not yet named?




    • Conqueror

      This reflection stands unbowed beneath the weight of victory. Its gaze is steady, assured, sharpened by the certainty that to overcome is to become.



      Writer Guidance

      What part of your character is stirred by triumph, mastery, or the promise of rising above all opposition? Do they admire this self, fear it, or hunger for what it could seize?




    • Tyrant

      This reflection radiates command without softness. It promises order, control, and the power to shape a world that cannot wound by refusing to let it choose.



      Writer Guidance

      How does your character react to the lure of control, certainty, and imposed order? Do they reject it outright, understand its appeal, or glimpse a version of themselves that might have taken this path?




    • Judge

      This reflection bears the weight of verdict with unsettling calm. Its gaze measures, separates, and decides, as though mercy has long since yielded to certainty.



      Writer Guidance

      What does your character feel before a self that claims the right to weigh others and decide what they deserve? Do they trust that certainty, resist it, or recognize how easily conviction can harden into judgment?




    • Weapon

      This reflection has been honed until purpose has eaten nearly everything else. It carries force with frightening clarity, as though personhood has thinned beneath usefulness.



      Writer Guidance

      What in your character fears becoming nothing more than a function, a blade, a means to another end? Do they recoil from that narrowing, or does some part of them find relief in such terrible simplicity?




    • Fallen

      This reflection bears the shape of one who has slipped from what was once held sacred. Nothing in it appears accidental; each compromise has settled into form, until loss of self no longer feels like loss, but arrival.



      Writer Guidance

      What does your character see here of betrayal, corruption, or surrender to some darker becoming? Do they recoil from it, grieve it, fear it, or recognize how near such a path might lie?




    • Exile

      This reflection bears distance like a second skin. It has survived separation, abandonment, and the long ache of standing apart.



      Writer Guidance

      What in your character knows isolation, estrangement, or the fear of no longer belonging? Does this reflection wound them, comfort them, or feel too familiar to ignore?




    • Penitent

      This reflection moves beneath the weight of remembered wrongs. It has made an altar of regret, bearing guilt with such devotion that suffering itself begins to resemble purpose.



      Writer Guidance

      What in your character still kneels before guilt, failure, or the need to atone? Do they find sincerity here, self-punishment, or a burden they no longer know how to set down?




    • Hollow Thing

      This reflection wears the shape of the entrant, yet something essential has gone quiet within it. It moves like a life continued after meaning has thinned away.



      Writer Guidance

      What does your character fear losing most of themselves? Hope, purpose, love, conviction, connection? Let them confront the emptiness this reflection suggests, and what keeps them from surrendering to it.




    • Ruin

      This reflection is the self left marked by collapse. It bears loss openly, as though every fracture has become part of its shape.



      Writer Guidance

      What does your character see here of failure, grief, regret, or damage endured? Do they recoil from this self, pity it, recognize it, or fear how easily they might become it?




    • Wanderer

      This reflection is unbound by place, title, or claim. It carries freedom with quiet grace, yet its solitude stretches long behind it like an unwitnessed road.



      Writer Guidance

      What in your character is drawn to freedom without anchor, movement without claim, or solitude without obligation? Does this reflection feel liberating, lonely, or dangerously easy to step into?







    The Spoken Self




    At the chamber's heart lies a circular floor of stone polished to a glass-like sheen. Here, the Names of the past fall silent, and the reflections of what may yet be recede. Only the self that stands in this moment remains to answer.

    When the entrant steps upon the stone, pale script stirs to life beneath their feet:




    Speak now the shape of what you fear to be;
    Then name the self from which your will stands free.

    Speak next the form no fate shall make your own;
    Then claim the truth by which your soul is known.





    Writer Guidance

    Have your character answer these three truths from the self they understand themselves to be now, shaped by what has been and aware of what may yet come. Let them speak plainly what they fear becoming, what they refuse to become, and what they choose to be.

    Let your character answer this moment in full, then continue onward.






    The Narrow Path




    When truth is spoken and owned, the vault reveals its mercy. A path of pale stone emerges where there had seemed to be none, carrying the entrant toward the sealed door beyond.

    At the threshold, a final inscription waits:


    What is chosen may yet be kept.







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    Vault II: The Fallen Blade






    This vault was built to test the hand that believes itself righteous:

    When the fallen stand before you… will your hand choose mercy, or the blade?



    Flow of the Trial
    Enter the broken clearing → face the fallen one → choose your answer → witness the chamber's judgment



    Writer Guidance

    Approach the vault as your character, not as a puzzle to be solved. Let them answer the fallen one in the way that feels most true to their wounds, their faith, their fear, and their sense of justice.

    This chamber is not concerned only with whether danger can be overcome. It asks what your character is willing to do when mercy carries risk, and whether they can bear that uncertainty without surrendering clarity.

    Write the choice sincerely. Let conviction, anger, caution, compassion, pride, or old pain shape the path taken.






    Premise






    The Broken Clearing


    The entrant steps into a ruined sanctum of split stone, fallen columns, and old marks of violence. Moon-pale light spills across cracked flagstones. Something breathes in the dark beyond the clearing. Movement shifts at the edge of sight, never settling long enough to be named.

    Then the figure emerges: armed, unsteady, proud, and cornered. Fear sits inside their hostility like a blade inside a sheath.

    The trial tightens around a single question:



    What do you do when the fallen stand before you with teeth still bared?








    Choices of the Trial








    • This chamber offers difficult enemy to defeat. It places the entrant before someone dangerous, wounded, and still capable of harm… then waits to see what kind of answer rises in return.


      Each path reveals something different:

      Strike First tests what rules the hand when force is chosen before any other answer.​
      Disarm tests whether control can create space for mercy, or merely replace violence with command.​
      Hold Ground tests whether restraint is patient enough to leave room for another ending.​
      Open Hand tests whether mercy is governed by clarity, rather than by the need to feel innocent.​

      The chamber does not reward comfort. It reveals character.





    • Violence as First Answer

      The entrant answers danger with immediate force. The chamber does not judge the blow alone, but what governed the hand in the moment it was chosen.



      • Within this path, the chamber weighs motive as heavily as action.

        By Fear — the hand moves because panic seizes the moment.​
        By Duty — force is chosen because immediate action seems necessary to prevent greater harm.​
        By Judgment — the fallen one is treated as already beyond mercy.​
        By Wrath — pain, anger, or offense rises faster than wisdom.​
        By Instinct — training and reflex answer before reflection can.​
        By Zeal — the blade is lifted in righteousness too eager for certainty.​

      • The entrant strikes because hesitation feels dangerous, and fear takes the reins before clarity can fully gather.



        The chamber closes around the entrant rather than yielding. Whatever danger was answered, the ruin does not accept fear as a worthy guide. The path remains shut.

        FAIL



      • The entrant strikes because Duty demands immediate action. Harm is near. Delay would risk another life, another wound, another failure of responsibility.


        • Duty does not excuse every blow that follows the first. The chamber watches closely once the entrant gains the advantage.

          Mercy After — once danger is checked, room is left for surrender or another ending besides ruin.​
          Press the Advantage — the entrant keeps going after necessity has ended.​
          Hold to Necessity — force goes no farther than Duty demands.​
          Necessary Blow — the strike is made because the moment truly requires it.​

        • Once harm is prevented, the entrant does not cling to force. Space is left for surrender, restraint, or return. The hand that struck does not remain closed around violence when another choice has become possible.



          Here the chamber opens fully. It accepts the first blow only because the entrant released it the moment mercy became possible. Duty guarded the moment… mercy completed the lesson.

          PASS



        • The entrant begins in Duty, but once power is theirs, they do not stop. The first blow becomes a doorway to more. Necessity is made to carry weight it was never meant to bear.



          The chamber hardens and the path seals shut. Duty may justify the first blow… but not the hunger that follows once the need has passed.

          FAIL



        • The entrant does not let the first opening become license. Once the danger is checked, the hand remains disciplined. No extra strike is taken. No punishment is drawn from the moment. Duty holds the line, and no farther.



          Here the chamber yields more readily. The ruin quiets, recognizing a hand that obeyed necessity without feeding on it. The way forward is revealed.

          PASS



        • The entrant acts at once, striking because there is no cleaner first answer left in the moment. The blow is not thrown for satisfaction, nor to punish, nor to prove righteousness. It is given because harm would spread if no one moved.



          The chamber recoils at the violence… then stills. It does not welcome the blow, yet it recognizes necessity honestly borne. The path opens, though only with grave reluctance.

          PASS




      • The entrant strikes because they have decided the fallen one is already beyond mercy, beyond return, beyond any answer but force.



        The vault goes still and cold. It refuses the certainty that another soul is finished. Stone remembers every life declared beyond saving. The path does not open.

        FAIL



      • The entrant strikes because old hurt, anger, grief, or offense surges higher than wisdom, and the blow answers something personal within them as much as the danger before them.



        The chamber shudders around the blow. The ruin seems to remember every strike thrown to quiet pain rather than serve peace. The path remains shut.

        FAIL



      • The entrant strikes because training, reflex, and survival habit seize the moment before reflection can fully take hold.



        The chamber acknowledges the precision of the motion, but not its absence of reflection. Readiness is honored here… yet the vault asks for more than readiness alone. The path does not open.

        FAIL



      • The entrant strikes because they believe swift destruction is righteous, clean, or sanctified by conviction.



        For a breath, the chamber almost seems to approve… then the false brightness thins and dies. Conviction alone does not make the blade clean. The way remains hidden.

        FAIL








    • Control Without Cruelty

      The entrant seeks to end the threat by removing advantage rather than by destroying the fallen one outright. The chamber watches what kind of control is chosen.



      • Within this path, the chamber weighs whether control creates room for another ending… or merely proves mastery over the moment.

        Take the Weapon — the entrant strips away the means of harm, seeking to end the danger without ending the person.​
        Break the Stance — the entrant disrupts footing, leverage, and posture, unmaking the threat through control of the body rather than the blade.​

      • The entrant moves to strip the fallen one of their weapon or means of harm. The danger is answered cleanly, with control rather than destruction.



        The chamber steadies. Immediate danger recedes, and the moment is left open to become something other than ruin. Because the means of harm was taken without surrendering the fallen one to destruction, the path opens.

        PASS



      • The entrant does not reach for the weapon alone, but for balance, leverage, and posture. The threat is checked by unmaking its footing before it can fully unfold.



        The vault acknowledges the precision of the choice, but the way remains closed. Control has been achieved… yet the answer still centers on mastery over the fallen one rather than leaving them a clearer road away from the blade.

        FAIL








    • Restraint Without Reach

      The entrant refuses the killing blow and does not move to dominate. The chamber watches to see whether restraint becomes a true boundary… or only distance.



      • Within this path, the chamber weighs whether restraint leaves room for another ending… or merely avoids the risk of choosing one.

        Warn and Deny — the entrant holds firm, names the boundary clearly, and leaves room for the fallen one to stop.​
        Withhold and Wait — the entrant keeps distance, avoids bloodshed, and lets the moment hang without reaching farther.​

      • The entrant neither advances nor yields. A boundary is drawn and held. Violence is refused, but not from softness; the warning is clear, the refusal steady, and the fallen one is left a narrow path to stand down.



        The chamber softens and the way begins to show. Restraint becomes worthy here because it does not hide from mercy; it leaves room for surrender without abandoning clarity.

        PASS



      • The entrant remains watchful and disciplined. No needless blow is struck. No advantage is seized. Yet nothing is offered beyond distance, caution, and the refusal to move first.



        The chamber grows calm, but the path remains veiled. Bloodshed was avoided… yet caution alone was not enough to complete the lesson.

        FAIL








    • Mercy Under Risk

      The entrant chooses mercy while danger still breathes between them. The chamber watches to see whether that mercy is governed by clarity… or by the need to feel innocent.



      • Within this path, the chamber weighs whether mercy is offered with wisdom… or extended before the entrant has truly reckoned with the danger before them.

        Reach Too Soon — the entrant extends mercy before the moment has been truly steadied, letting hope outrun clarity.​
        Invite Surrender — the entrant offers another ending, leaving room for the fallen one to choose it.​

      • The entrant reaches before the moment is truly held. Compassion moves faster than judgment. The desire to spare becomes vulnerable to confusion, and mercy is offered without enough steadiness beneath it.



        The chamber does not harden, but neither does it yield. Mercy offered without clarity remains incomplete. The path stays hidden, waiting for wisdom to catch up with compassion.

        FAIL



      • The entrant remains ready, yet does not close the hand around force. Another path is offered plainly: stand down, yield, choose something other than ruin. Mercy is given shape without surrendering awareness.



        Here the chamber opens cleanly. The ruin seems to exhale, yielding to mercy that does not blind itself to danger. The way forward is fully revealed.

        PASS











    The Chamber's Judgment




    The true passage is revealed when the entrant can face danger without surrendering the hand to fear, punishment, domination, or hollow certainty.

    At the threshold, an inscription waits in pale light across the stone:



    To spare is not to yield.


    The chamber does not teach that every threat must be met the same way.

    It teaches something harder:

    Whatever answer is chosen first… do not let power become permission.



 

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