DEATH STAR ||| - HAD ABBADON
Keys of red, green, and blue, sign a hymn of mechanical tones. Some blare alone, then in discordant union, the frequency a strange, silent symphony across an otherwise lightless chamber.
At its center looms a tank. A cylindrical colossus, forged of thick, transparent glass with a faint sheen, rising like a pillar to the ceiling of the laboratory. Within it churns a viscous, acid-blue fluid, in its depths, the faintest glow seeps outward.
Rhythmically, like drawn breaths, flocks of swollen azure bubbles wobble upward, bursting at the surface with wet sighs.
Hours, days, weeks, time holds little sway here. The chamber is nothing but the endless interplay of fizzy fluid and synthetic tunes.
And yet there are moments, occurrences that break the monotone sequence of events.
The metal door parts. Personnel enter: doctors, scientists, acolytes. Some kneel and chant, reading verses from their sacred texts, others rouse the dormant consoles, and study glowing screens, tweaking inputs, observing results. A few do both.
Whenever such a lonesome figure enters, rarely in pairs or groups. Before the instant in which the entrance closes shut, shadows part within and the tank is struck by a shaft of illumination.
And there, through the glass, submerged in the depths
A shape appears, a silhouette, vaguely human, blurred by liquid distortion. A specter, a gestalt.
An angry swarm of pearl-sized bubbles erupts, racing toward the surface.