Star Wars Roleplay: Chaos

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Discussion Ask Cat Anything: Writing, Art, Roleplay, and Assorted Shenanigans

Sʜᴀᴅᴏᴡ Lᴏʀᴅ
Ask Cat Anything: Writing, Art, Animals, and Assorted Shenanigans

Hello!

I thought it might be fun to start a general AMA where people can get to know me beyond whichever character is currently making questionable decisions across the board.

You can ask about my writing, characters, creative projects, experiences outside Chaos, or almost anything else that catches your curiosity. This can also be a place for constructive feedback, plotting ideas, and meeting people I haven't had the opportunity to write with yet.

A little about me…

I have been roleplaying for more than twenty years, across different formats, settings, and communities. At this point, collaborative storytelling has become one of the longest-running fixtures in my life. I love D&D, character creation, and watching a small idea gradually grow into an entire shared world.

I have participated in several other roleplay and gaming communities over the years, including creating 3D models for people to use within them. It gave me another way to take imagined characters, objects, and settings and turn them into something people could actually see and use.

I have also been involved in creative work for most of my life. In high school, I attended an art magnet program and participated in the school's art honor society. I also devoted a considerable amount of time to community service during those years.

In college, I worked as an editor for a creative-arts publication. I helped review and edit submissions, design pages, and assemble the finished publication. I contributed some of my own writing and artwork as well, with several of my art pieces going on to win contests.

My involvement in the arts continued beyond school. I have served as a judge for community art exhibitions at county fairs and helped curate pieces for gallery displays. Some of my own artwork has been auctioned to raise money for charitable causes, giving those pieces a purpose beyond the walls where they were created.

I'm also a published writer. For a time, I published short stories online; lately, I have been devoting more of my attention to writing a book of my own. It remains a work in progress, slowly accumulating chapters, revisions, and the occasional scene that refuses to behave.

I'm also creating a cookbook, because apparently one unfinished book was not enough company for me.

Outside of writing and art, I'm a certified martial arts instructor. I taught for around fifteen years before retiring from instruction. That experience strongly influences the way I approach movement and combat in my writing, but it reaches much further than fight scenes. It has shaped how I write discipline, mentorship, responsibility, personal growth, and the complicated bonds that develop between teachers and students.

Animals have also been a major part of my life since I was young. My mother worked as an animal trainer for several different companies and performed educational shows. Through her work, I had the privilege of experiencing zoos from a behind-the-scenes perspective and becoming familiar with a wide variety of exotic animals. I learned early that every creature has its own behaviors, boundaries, and needs.

Today, I serve as the Vice President of an animal-education company that travels to schools and introduces children to different critters through live educational programs. It gives students the opportunity to meet animals they might otherwise encounter only in books or pictures while learning how those animals live and how to treat them responsibly.

I also run a small rescue cattery where people bring cats who need help. I make sure they receive their medications, arrange for them to be spayed or neutered, and care for them while trying to find safe, permanent homes whenever possible.

I assist with the local cat network and several other animal-welfare groups as well, including a dog sanctuary and rescue. There always seems to be another animal needing food, treatment, transportation, or somewhere safe to sleep… so I help wherever I can.

On a slightly less responsible note, I drive an old Jeep Wrangler that I have been slowly fixing up. It is an ongoing project, tended to whenever I have the time and something new decides it needs repairing.

For work, I currently serve armed night shifts in a security-related field. I keep the exact details private, but the schedule explains why I sometimes appear online while sensible people are asleep.

On Chaos, I tend to gravitate toward character-driven stories with meaningful consequences. I enjoy complicated relationships, mentorship, rivalry, found family, and long-running plots that allow characters to change gradually through their experiences.

Braze is currently my most active character: a small, sharp-tempered Jedi Knight with a caretaker's heart, an unfortunate attraction to trouble, and more responsibilities than anyone his size should reasonably be carrying. I have several other characters scattered around as well, each waiting patiently—or perhaps impatiently—for another opportunity to complicate matters.

So… ask me anything!

You can ask about:

• My characters, stories, artwork, or current creative projects.
• Martial arts and how that experience influences my writing.
• My work with animals, rescue groups, or educational programs.
• Art programs, publishing, galleries, and 3D modeling.
• D&D, roleplay, and more than twenty years of collaborative storytelling.
• My book, cookbook, or whatever project I have adopted this week.
• The old Jeep Wrangler and its latest mechanical complaint.
• Possible threads, rivalries, friendships, mentorships, or other character dynamics.
• Why Braze keeps doing whatever Braze is presently doing.

Honest questions and good-faith feedback are welcome. If there is something you have ever wondered about me, my creative background, or the small army of fictional people occupying my thoughts, this is the place to ask.
 
Why Braze. in general.

jk, but fr though, random questions. i know you made a how to write more interesting pvp discussion but how do you write good pvp? also did anything inspire you to make braze, if so what or who.

also we still need to get novac and braze to do something some time lol
 
Sʜᴀᴅᴏᴡ Lᴏʀᴅ
Do you have any rescues? If so how many? (I have 3)
I volunteer with the ASPCA (and coincidentally, they are the only blemish on my L.E.O. work record)
That's really great that you've helped out with rescues too!

I've got a spotless work record myself, and because of the first-responder sort of work I do, I've gotten to know and become friends with quite a few people in law enforcement and the fire service over the years.

Actually, just the day before yesterday, a friend of mine who works for the county and I happened to run into one of the motorcycle police trainers and her crew at the new Cold Stone. It turned into a nice little chance to reconnect; my friend was already well acquainted with her, and I knew one of the officers with them. We ended up hanging around and catching up for a bit, which was a good time.

Pretty much every animal I have is a rescue. Most of them came directly from the streets, or were found by other people abandoned somewhere and eventually ended up coming home with me.

Over the years, I think I've rescued and successfully adopted out around 72 cats altogether.
At the moment, I have 21 cats:
  • Gingersnap
  • Cheddar
  • Mango
  • Julius
  • Marmalade
  • Puff
  • Opal
  • Kiki
  • Graygu
  • Blue
  • Gizmo
  • Mysha
  • Percy
  • Belvedere
  • Coco
  • Furrball
  • Coal
  • Panther
  • Dot
  • Tutifruti
  • Pepper
Coco is the newest kitten I brought home from work.

I feed one of the momma cats around my workplace, and one night I noticed that one of her kittens wasn't doing very well. I got out and started walking toward them, and this tiny black ball of fur tried to run away from me. She made it a few steps, fell over, and just laid there…

She simply didn't have enough energy left to keep running.

So I scooped her up, brought her home, and tried to nurse her back to health. I named her Coco.

She's still very small for her age, but she's doing great now. In fact here's some pics of her.

coco2_by_paladad_of_light_dms8vi9-375w-2x.jpg
coco_by_paladad_of_light_dms8v5f-375w-2x.jpg
 
Sʜᴀᴅᴏᴡ Lᴏʀᴅ
Why Braze. in general.

jk, but fr though, random questions. i know you made a how to write more interesting pvp discussion but how do you write good pvp? also did anything inspire you to make braze, if so what or who.

also we still need to get novac and braze to do something some time lol
Novac Lyrikal Novac Lyrikal

When I brought Braze to Chaos, I retooled him pretty heavily. The earliest version of him was much closer to the character that had originally inspired him, Bruck Chun: more of a bully, slicked-back white hair, sharper around the edges, and generally built to be an antagonist or rival rather than the person the story followed.

For Chaos, I wanted to see what would happen if I took some of those same pieces and built a protagonist out of them instead.

One of the bigger experiments was giving him two living parents.

I love writing the sort of character who feels like they wandered directly out of a shonen series: young, reckless, constantly getting themselves into increasingly questionable situations because adventure is apparently more important than self-preservation. At the same time, I grew up on Disney, and Batman is still my all-time favorite hero, so apparently somewhere along the way I became very accustomed to protagonists whose family trees have been aggressively pruned before the story even starts.

And, from a writing perspective, I understand why. Having no parents makes the adventuring lifestyle incredibly convenient. Nobody is wondering where you are. Nobody is asking why you came home bleeding. Nobody has an opinion about your terrible life choices. You can throw a character halfway across the galaxy without having to account for the people waiting for them back home.

Braze having living parents has made things considerably less convenient…and much more interesting.

It means he has people he can disappoint. People whose expectations of him don't necessarily match the person he's becoming. There are relationships that can become strained, repaired, misunderstood, or changed entirely as he grows up. His family can disagree with his choices without being villains, love him without necessarily understanding him, and remain part of his life even while he keeps choosing a path that takes him farther and farther away from them.

That has opened up a lot of avenues of writing I normally don't get to explore with this kind of character. Instead of his family existing primarily as something he lost before the story began, they're people he actually has to maintain relationships with while the story is happening.

Here's a peek at what Braze used to be like when he was more of a 'jock' type of character

braze2_by_paladad_of_light_dms96f3-fullview.jpg


As far as PvP goes on my side, I try to ask the other writer what they want out of the exchange whenever possible. If they give me a real, honest answer, I can usually work with that.

I'm here to play a role, hence the whole roleplaying aspect of it. If my role in a particular scene is to lose, get pushed back, be outmatched, or otherwise help set something up for the story, I can absolutely play into that if it serves what we're trying to write. I just need the communication surrounding it to be open and honest.

Of course I enjoy writing cool moments for my own characters, but I also really enjoy rewarding the other writer when they come up with something clever, interesting, or genuinely cool. If someone is willing to work with me, explain how they see something functioning, or simply ask, "Hey, would you be okay if I tried X?" I'm probably going to go along with it 99% of the time.

For harsher ideas, I usually just need a little mental preparation and some understanding of why we're doing it and what it adds to the story.

I think good PvP needs some give and take. I want my character to be challenged, and I want to provide a worthwhile challenge for the other writer in return. A lot of my enjoyment comes from thinking through what is happening and figuring out how my character would reasonably respond to it.

For that to work, I like opposition to feel competent and internally logical. I'm perfectly happy with some suspension of disbelief, especially in a setting like Star Wars, but I still want the characters involved to feel believable within that setting, even when somebody is meant to be exceptionally powerful or talented.

I need the highs and lows for those bigger moments to feel satisfying.

Because of that, I try to find ways for my opponent's actions to matter. Even if something doesn't completely succeed, I like finding some consequence, pressure, change in positioning, complication, or narrative effect that makes the action feel worthwhile and earned.

To me, there's also a big difference between two characters being written as hard as possible to see who can outthink or outmaneuver the other, and two writers deliberately constructing a scene for character growth, development, tension, drama, or even just a lighthearted spar between friends.

Those scenes all require very different approaches from a technical standpoint.

What they have in common is that I work best when my co-writer can communicate what they're hoping to get out of the exchange. It doesn't need to be a complete roadmap, and I don't need every outcome decided beforehand. Even a general idea of the tone, stakes, or direction gives me something useful to work with.

"Just go with the flow" can be difficult for me when that's all I have, because I don't necessarily know what kind of scene the other person is trying to build. I tend to have a much better time when we can establish at least a loose understanding of what we're both interested in exploring, and then let the actual writing surprise us from there.
 

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