Father of Titans
Bang
Bang
Bang
The slamming down of a hammer on steel was rhythmic and powerful. Each strike made to forge a sword of power. The hammer within the hand was solid and well built. There seemed to be an abundance of the sounds that filled the forge of metal pounding on metal. Tongues of flame crackling over the coals that heated the metal to a white light. Only to be beaten again and again. The might of my arm brought down this hammer. Shaped awkwardly for a reason. The hammer was being used in the creation of a curved sword. Many existed. Names of Katana, Odachi, Tachi, Daisho, Tanto, and Wakizashi. All curved variations of the same sword. One most notably used is the Masamune. A very long form of the Katana. Straighter in its blade length, and curved at the end. A very fine blade to look at and to hold. For its size, they were quite light.
I intended to make one of these. While I used an Echani Vibrosword for a while, I wanted something that would be more reliable. Having the ability to stand up to the test of time, and war after war. Hence why I was working on the blade. Smashing down the hammer onto the flat blade. However, I was not making the blade outright in one shape. No. I wanted a blade that could last through anything thrown at it. One of the strongest types of armor was layered armor. As such, I had done some research beforehand. These blades mostly used a style of layering called, Maru, or Kobuse. I however wanted something stronger. Something that would have enough layers to be considered a top tier weapon. This style was called Soshu Kitae. Or also called in basic, “Seven layers”
The sword blade was made out of three types of harnesses of the same metal. Soft, Medium, and Hard. Soft metal was made with a higher Carbon content, while hard was just the opposite. Having a lower carbon content. As well, soft steel was soft. The blade would dull quickly, and can easily be broken. On the other hand, the hard steel would be strong and sharp even when in a multitude of battles. What I was doing now, was the creation of the soft steel. Forging the center into a rectangle shape. All being cut from a metal named Tamahagane. A very high processed form of steel that was tougher and made in the use of old short swords when lightsabers were a fantasy. Now it was rarely used. However, I would be using it here for practice. Taking a hand full of rust and soot residue, I shook my hand over the top of the almost rectangle shape of a weapon. Letting the hot metal burn up the concoction of material to melt into the metal. Taking my hammer once again, I slammed down on the square. With precision and accuracy of years of making simple swords, I impregnated the soot and rust into the square. Getting rid of the impurities of air pockets and the like.
I continued to work like this. Continuing the process of heating up the blade to a white hot. Folding it over and layering it. Impregnating it with rust and soot until the blade became a dull orange. This process took a good three hours to work on this single layer. Even then I was nowhere near done. I still needed to refine the process to be quicker and to be more efficient. I continued to beat down on the metal. Imposing my will upon it with the might of my arm.
I continued to layer the center rod. Seemingly for hours on end when I decided that after it was nearly impossible to keep the rust and soot within the blade, I grabbed the tongs and quenched it in oil. Letting the burning tongues of fire leap up at my arms. Taking a few minutes to soak into the blade the oil removed the access rust and soot, as well as the small bits of clay that had not yet flaked off. Removing it from the trough, I set it down on the table. Looking at how long the piece was. Taking out my measuring tape, it went up to a meter. A good sized katana. However it was straight. But for good reason.
I then moved over to the medium steel. By taking the same type of steel, I would quench it at different times with a stronger oil to rid it of impurities. Layering it more than I would with the Soft steel, this would be instead of a few layers up to a good thirty, up to a good eighty or so. Maybe even more depending on how strong I want the blade to be, as well as flexibility. Setting the ingot of steel in the forge, I walked over to the sink to clean off my hands enough to handle a datapad. Flipping through the pages of information and books of more information of forging weapons, I began to read. Looking at more information of how the clay to coat the metal would be. As well as the level of viscosity that the oil should be. Even the slightest thing down to the right tools and spacing of them. I continued reading when the forge I had made a ding sound.
Standing up, I continued to read as I walked over to the forge. Saying out loud, “At this stage, it is only slightly curved or may have no curve at all. The gentle curvature of a katana is attained by a process of differential hardening or differential quenching: the smith coats the blade with several lay- OUCH!” Stubbing my toe onto the side of the table, my hammer fell on top of my foot. Yes I was a big guy, but a 1.5 kg hammer slamming down on your toes hurts like hell. In reaction I threw up my hands, and with it the datapad. Only for it to fall right into the open forge…
“Feth….”
I whispered to myself. Wishing I had not done that. Looks like I will have to go from memory and see from experience what is the best way to forge the blade that I desire.
(OOC: I will be doing a word count for each post. )
Word Count - 1054
Bang
Bang
The slamming down of a hammer on steel was rhythmic and powerful. Each strike made to forge a sword of power. The hammer within the hand was solid and well built. There seemed to be an abundance of the sounds that filled the forge of metal pounding on metal. Tongues of flame crackling over the coals that heated the metal to a white light. Only to be beaten again and again. The might of my arm brought down this hammer. Shaped awkwardly for a reason. The hammer was being used in the creation of a curved sword. Many existed. Names of Katana, Odachi, Tachi, Daisho, Tanto, and Wakizashi. All curved variations of the same sword. One most notably used is the Masamune. A very long form of the Katana. Straighter in its blade length, and curved at the end. A very fine blade to look at and to hold. For its size, they were quite light.
I intended to make one of these. While I used an Echani Vibrosword for a while, I wanted something that would be more reliable. Having the ability to stand up to the test of time, and war after war. Hence why I was working on the blade. Smashing down the hammer onto the flat blade. However, I was not making the blade outright in one shape. No. I wanted a blade that could last through anything thrown at it. One of the strongest types of armor was layered armor. As such, I had done some research beforehand. These blades mostly used a style of layering called, Maru, or Kobuse. I however wanted something stronger. Something that would have enough layers to be considered a top tier weapon. This style was called Soshu Kitae. Or also called in basic, “Seven layers”
The sword blade was made out of three types of harnesses of the same metal. Soft, Medium, and Hard. Soft metal was made with a higher Carbon content, while hard was just the opposite. Having a lower carbon content. As well, soft steel was soft. The blade would dull quickly, and can easily be broken. On the other hand, the hard steel would be strong and sharp even when in a multitude of battles. What I was doing now, was the creation of the soft steel. Forging the center into a rectangle shape. All being cut from a metal named Tamahagane. A very high processed form of steel that was tougher and made in the use of old short swords when lightsabers were a fantasy. Now it was rarely used. However, I would be using it here for practice. Taking a hand full of rust and soot residue, I shook my hand over the top of the almost rectangle shape of a weapon. Letting the hot metal burn up the concoction of material to melt into the metal. Taking my hammer once again, I slammed down on the square. With precision and accuracy of years of making simple swords, I impregnated the soot and rust into the square. Getting rid of the impurities of air pockets and the like.
I continued to work like this. Continuing the process of heating up the blade to a white hot. Folding it over and layering it. Impregnating it with rust and soot until the blade became a dull orange. This process took a good three hours to work on this single layer. Even then I was nowhere near done. I still needed to refine the process to be quicker and to be more efficient. I continued to beat down on the metal. Imposing my will upon it with the might of my arm.
I continued to layer the center rod. Seemingly for hours on end when I decided that after it was nearly impossible to keep the rust and soot within the blade, I grabbed the tongs and quenched it in oil. Letting the burning tongues of fire leap up at my arms. Taking a few minutes to soak into the blade the oil removed the access rust and soot, as well as the small bits of clay that had not yet flaked off. Removing it from the trough, I set it down on the table. Looking at how long the piece was. Taking out my measuring tape, it went up to a meter. A good sized katana. However it was straight. But for good reason.
I then moved over to the medium steel. By taking the same type of steel, I would quench it at different times with a stronger oil to rid it of impurities. Layering it more than I would with the Soft steel, this would be instead of a few layers up to a good thirty, up to a good eighty or so. Maybe even more depending on how strong I want the blade to be, as well as flexibility. Setting the ingot of steel in the forge, I walked over to the sink to clean off my hands enough to handle a datapad. Flipping through the pages of information and books of more information of forging weapons, I began to read. Looking at more information of how the clay to coat the metal would be. As well as the level of viscosity that the oil should be. Even the slightest thing down to the right tools and spacing of them. I continued reading when the forge I had made a ding sound.
Standing up, I continued to read as I walked over to the forge. Saying out loud, “At this stage, it is only slightly curved or may have no curve at all. The gentle curvature of a katana is attained by a process of differential hardening or differential quenching: the smith coats the blade with several lay- OUCH!” Stubbing my toe onto the side of the table, my hammer fell on top of my foot. Yes I was a big guy, but a 1.5 kg hammer slamming down on your toes hurts like hell. In reaction I threw up my hands, and with it the datapad. Only for it to fall right into the open forge…
“Feth….”
I whispered to myself. Wishing I had not done that. Looks like I will have to go from memory and see from experience what is the best way to forge the blade that I desire.
(OOC: I will be doing a word count for each post. )
Word Count - 1054